I/O for the MacPortable Affordable Complete
Matrox is leading the way in mobile editing. The new Matrox MXO2 is the first truly portable device that gives you broadcast-quality input/output, monitoring, and up/down/cross conversion to streamline your workflow with Apple Final Cut Studio 2. Its MacBook Pro and MacPro compatible, fits in your laptop bag, can run for hours off a field battery, and weighs under 3 ½ lbs. It lets you work seamlessly in any format you want. Enjoy new-found freedom with Matrox MXO2 edit anywhere!
Key features Works with Intel-based MacBook Pros and Mac Pros Lightweight less than 3 ½ lbs. (1600 grams) Fits in your laptop bag 13 x 9½ x 2 (330mm x 241mm x 51mm) Can run off a field battery (or its AC adapter) HD/SD SDI, HD/SD analog component, Y/C, and composite inputs and outputs Genlock SD analog black burst (bi-level) or HD tri-level sync HDMI input, output, and monitoring with calibration controls including blue-only 10-bit realtime hardware up/down/cross conversion Up to five user selectable simultaneous video outputs HD and/or SD on HDMI, SDI, and analog Professional audio inputs and outputs including 5.1 surround sound monitoring RS-422 machine control for frame-accurate capture and print-to-tape Captures to a variety of codecs Apple ProRes 422 HQ, 10-bit uncompressed HD, and many more Supports file-based workflows XDCAM, XDCAM HD, XDCAM EX, P2, P2HD Works with Final Cut Pro, Apple Color, Adobe After Effects and all QuickTime applications that support the V-out component
Truly portable
Matrox MXO2 is the first truly portable I/O device for the Mac. It fits easily intoyour laptop bag and can run off standard field batteries or the included AC power adapter. It connects to your MacBook Pro via Apples ExpressCard/34 slot or to your Mac Pro via a PCI Express adapter card. Both adapters are included.
HD and SD inputs and outputs
Matrox MXO2 features a full complement of professional inputs and outputs. RS-422 machine control is provided for rame-accurate capture and print-to tape with Final Cut Pro.
Inputs Video - SDI - HD/SD
- Component - HD/SD
- Y/C
- Composite
- HDMI - HD
Audio- 2 XLR - stereo pair (balanced)
- 2 RCA - stereo pair (unbalanced)
- 2 AES/EBU
- SDI embedded up to 8 channels
- HDMI embedded - up to 8 channels
Outputs Video - 2 SDI - HD/SD
- Component - HD/SD - 12-bit
- Y/C - 12-bit
- Composite - 12-bit
- HDMI - HD/SD
Audio- 4 XLR - stereo pair (balanced)
- 6 RCA - stereo pair (unbalanced) (monitoring unbalanced)
- 2 AES/EBU
- SDI embedded up to 8 channels
- HDMI embedded - up to 8 channels
Up to five user selectable simultaneous video outputs, HD and/or SD on HDMI, SDI, and analog are supported.
Genlock Matrox MXO2 provides SD analog black burst (bi-level) or HD tri-level sync genlock. It can genlock to any type of video input or to house sync. Timing offset controls can be used to align your video output relative to your external genlock source to compensate for cable delays within your facility.
Flexible workflows
Capture to a variety of codecs Matrox MXO2 gives you a wide range of workflow possibilities by providing frame-accurate capture via RS-422 deck control to a variety of codecs. On systems with a 2.4 GHz or faster Core2 Duo CPU you can capture to DVCPRO HD and to SD codecs including uncompressed, DV, DVCPRO, DVCPRO50, ProRes 422, and ProRes 422 HQ. On systems with at least two Dual-Core or a Quad-Core 2.4 GHz or faster CPU you can also capture to more HD codecs including ProRes 422 and ProRes 422 HQ. On systems equipped with storage that has sufficient transfer bandwidth, you can capture uncompressed 8- and 10-bit HD.
Use your favorite file-based formats Matrox MXO2 lets you work with
file-based formats such as XDCAM, XDCAM HD, XDCAM EX, P2, and P2HD.
HD and SD video monitoring
Matrox MXO2 turns your HDMI monitor into a true-color video display you can trust, even for color grading. Its packed with features that make it the ideal monitoring solution for Final Cut Pro, Apple Color, Adobe After Effects, and other QuickTime-based applications. You wont need to buy expensive HD monitoring equipment. In addition, MXO2s realtime downscaling feature lets you view your HD projects on an SD monitor.
HDMI monitor calibration Matrox MXO2 lets you adjust and control your HDMI monitor exactly like you would a broadcast HD/SD monitor. Controls for hue, chroma, contrast, brightness, and blue-only are provided. This unique control gives you completely accurate color representation so that you can use your HDMI monitor even for color grading.
Pixel-to-pixel mapping on the HDMI display Matrox MXO2 provides 1:1
pixel mapping on HDMI monitors that support this feature. You get accurate
monitoring on your HDMI display in the following resolutions:
720 x 486 (NTSC)
720 x 576 (PAL)
1920 x 1080
1280 x 720
Audio monitoring
Matrox MXO2 provides built-in 5.1 surround sound monitoring via RCA so you dont need to invest in additional equipment as you do with some other I/O products. Matrox MXO2 also gives you the flexibility to map any audio track in Final Cut Pro to any audio output. Realtime hardware up/down/cross conversion Matrox MXO2 lets you deliver in any format your clients demand. The 10-bit hardware scaling provides high-quality mastering.
HD to SD downscaling Matrox MXO2 provides realtime HD to SD downscaling with proper conversion of the HD color space to the SD color space and proper aspect ratio conversion to anamorphic, letterbox, and center cut. You can monitor or record an SD master of your HD project in real time.
SD to HD upscaling Matrox MXO2 provides realtime SD to HD upscaling with proper conversion of the SD color space to the HD color space. MXO2 will pillarbox 4:3 footage and scale 16:9 SD footage to full screen.
Cross conversion Matrox MXO2 offers realtime cross conversions from 720 to 1080 and 1080 to 720. Realtime frame rate conversion is also supported with 2:3:2:3 and 2:3:3:2 cadences. This feature is useful if, for example, your source material is recorded at a different frame rate or resolution than the delivery format your client requires. It also facilitates onitoring when, for example, you need to work with 23.98 fps footage but your monitor does not support that frame rate. You can use MXO2s realtime frame rate conversion to view your project at 29.97 fps. Conversion from 23.98 fps to 25 fps is handled by Final Cut Pro and the host.
Hardware acceleration of Final Cut Pro Dynamic RT segments to original frame size In Dynamic RT editing mode, Final Cut Pro automatically reduces frame size to let you preview non-realtime segments of your project at a better frame rate. With the MXO2 hardware upscaler, these segments are accelerated to their original frame size saving processing power for other Final Cut Pro operations, so you get better realtime performance.
Matrox MXO2 kit contents
Matrox MXO2 input/output device
Matrox MXO2 PCIe host adapter (for use with Mac Pro)
Matrox MXO2 PCIe host ExpressCard/34 adapter (for use with MacBook Pro)
Matrox MXO2 PCIe cable (1 meter)
Matrox MXO2 external power supply
(IEC-C13 power cord, RS422 cable and Matrox MXO2 battery power cable
must be purchased separately)
www.matrox.com/video
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